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(...) Travel writers
frequently convince themselves they'll return to places they like.
When they conclude an article that way, it sounds trite - a facile
cliche employed to wrap things up, like the sunsets in TV
Travelogues.
So I won't end the story here.
Last summer, we did return to Hostellerie Berard. And
we were relieved to see that hardly anything had changed. The first
time, we recalled, our room presented a pleasing view of vineyards
and farms. The scene from our single window had resembled a
landscape by Jean-Francois Millet. This time, we could look out at
more swaths of green, plus a neighboring village, Le Castellet, with
its medieval walls perched atop a hill. In the foreground, right
below our window, the hostellerie'dark blue swimming pool shimmered,
and sunbathers lounged on the terrace beside it.
Yes, it was summer, and Rene Berard does not conduct
his famous cooking school in July and August. We would miss it again.
Besides: "It is not a cooking school," insists Daniele.
"He teaches the art of fine cuisine and good living in
Provence. Many times when you take a cooking course it's not with
the big, famous chef who gives the school its name. But Rene is
there himself. Ah yes."
"Ah, but you are in for a treat tomorrow morning,
anyway", Daniele consoled. "The Bastide, the beautiful
Bastide! You will visit there. Yes!", The Bastide, it turned
out, would be the country house where rene Berard imparts his wisdom
to paying students and grows the herbs and vegetables that go into
his dishes and the flowers that beautify the restaurant.
That afternoon of our arrival, while
Juju shopped on the main street, Rue Gabriel Peri, I spent the
afternoon wandering around La Cadiere d'Azur, the name of which
evolved from "Cathedra", which it was called back in 977
A.D. Although the town is of some interest to medievalists, it
suffers little of the touristic bustle we had experienced earlier in
resorts along the coast. Cars moved politely, despite the absence of
traffic lights. I could wander off the sidewalk to better admire the
beige buildings with tile roofs and their colorful shutters, the
imposing gates, the ancient walls and the magnificent vistas of
French countryside below.
Although La Cadiere d'Azur is less
than 30 miles east of Marseille, no airplanes flew overhead. The
trucks on Autoroute 50 could not be heard from the hilltop, and they
looked like silent little restnagles as they sped past the rolling
vineyards. Chirping cicadas, which the Provencals have adopted as
their signature insect, would have drowned out the engine roar in
any case.
The 40-room hotel complex has been described as a
former covent, dating back to the 11th century - or a monastery, or
a prefecture boarding house. Over 35 years of operation, involving
cinsiderable hard work,the Berards have acquired several houses and
lots along Rue Gabriel Peri. Thier buildings blend into the rear of
the village church and spill downhill toward the village cemetery.
They span an alley called Rue du Moulin a Vent - Windindmill Street
- one more implication that La Cadiere d'Azur, with a population of
1,000 within the town walls, has served other purposes and weathered
sevarl centuries.
The Berards grew up here. He was the butcher's
son. She was a pharmacist by training. Their 25-year-old son,
Jean-Francois, also cooks, and their daughter, Sandra, 28, does
aggresive marketing for Hostellerie Berard, making sure the world
does not ignore it |

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Although Rene Berard considers himself a disciple of
Auguste Escoffier, he doesn't favor the heavy sauces and rich
creams of the old french style. "Nouvelle cuisine?" he
often says. "I don't know what it is. For me, there is only the
cooking I like." The mantra hasn't changed.
Yet, the plates that grace the yellow tablecloths
arrive bearing what appears to be modern cuisine. Foie gras looks
jaunty on its tiny dish, surrounded by slices of fresh peach. Sauces
circle the entrees artistically, and summer truffles harvested in
Aup form a precise pattern around the rims of larger plates. The
Sisteron lamb shanks arrive with sprigs of thyme, which have been
set afire so they can send curls of smoky fragance across the dining
room. Yellow zucchini flowers stuffed with steamed ratatouille
complement some courses.
The main dishes cover a wide range. A brochure
published by the Chambre de Commerce et d'Industrie
Marseille-Prrovence hails Chef Berard for his takes on veal from
Aveyron, poultry from Bresse and fish from Sanary. He makes a
sublime bass mousse and seasons red mullet with pistachios. He does
miraculous things with pigeon and hare. The roast kid comes
encrusted with pistachio and green garlic.
Dessert range from his version of the classic Peach Melba to all
those chocolate things with funny shapes and intense flavors that
patrons of haute-cuisine encounter the world over.
Still, this is not another story about a french super
star: Rene berard wins plenty of awards and has appeared on french
television, but he isn't exactly a household name on the foodie
circuit. The hotel rates three stars, not four or five, according to
the government's bewildering rating system. Michelin Guide finds the
accomodations quite plaesant, but as for restaurant no stars at all.
I went there initially, in 1996, because French
government tourism officials had recommended Hostellerie Berard as
one place to stay while I researched an article on the painters of
Provence. But the tourism officials recommended lots of lodgings. We
returned to this one because of lodgings. we returned to this one
because that brief contact with a hotel-restauarant family had
blossomed into friendship. We kept in touch. When Rene and daughter
Sandra vivited Chicago two years ago, Juju and I took them out for
dim sum.
As always, on our trip to france, the tribune paid,
despite Daniele's protests.
So all of this affection is difficult to explain. We
fell in love with a small hotel-restauarnt and that led us to fall
in love with Provence. So many little things go into something like
that: the back trousers and skirts and white shirts of the wait
staff, the exquisite bar beside the dining room, the colorful tiles,
the view of the greeting card f |
rom the Berards that has wished us
well fir each of the last five Januarys.
And there were big things: The satisfied grin on the
face of son Jea-Francois as he emerges from his father's kitchen.
The news that Sandra is expecting her first child and must send
regrets, via cell phone, from her home in Marseille.
And, of course, La Bastide. Ah, yes! Rene Berard drove
us there in his old blue Mercedes, winding down the hill, cutting
through the vineyards on a smooth road, and parking in the driveway
of a handsome old country house. He calls it "La Bastide des
saveurs", the country house of flavors, and the cooking school
sessions take place in the long, cool kitchen, admist the barrels of
homemade vinegar, well-seasoned pots ans pans ans state-of-the-art
ranges and ovens. The house is a Provencal museum of ancient
cupboards, beautiful tile work and artful furnishings of well-used
wood. Upstairs are four well-appointed new guest rooms ("only
for special visitors, but not available yet"). The house
intrigued us, but Rene was anxious to proceed outside, where his
garden - with the aid of two gardeners - is a showplace of colors, a
living pantry of ingredients for the kitchen, and a bower filled
with flowers for Hostellerie Berard.
We strolled along slim pathways separating the tomatoes
from the zucchini, the raspberries from the eggplant. Rene pointed
out the haricot, chicory, coriander, pepermint, wisteria and English
roses.... There were trees growing peaches and olives, plus medleys
of herbs only a master chef could name. "It's all natural,
organic," Rene said.
Then he added, "This is my paradise."
That night, our second and last this time in La Cadiere
d'Azur, we enjoyed another fine dinner. red mullet. Monk fish. An
exquisite dessert. The dining room was full, and yet daniele managed
to make everyone feel special. The streets outside were packed with
the cars of patrons from nearby villages, as well as those who
come all the way from Marseille.
After eating too much once again, Juju and i oedered
our digestifs out on the main street. the two bars in town had set
up tables at the edge odf the narrow right-ofway. Townspeople filled
the makeshift outdoor cafe, and a jazz trio perofmred - two men on
acoustic guitars, a woman on violon. ...

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